From student dorms equipped with facial recognition in China to privately-owned surveillance systems in the US and UK, the technology is being rapidly deployed in a global rise of biometrics. What this transformation – and the resultant streams of endless machine-made images – offers is some innovative ways to think about the practice of image-making.
The course will provide students with the historical background of facial recognition and an opportunity to test and discuss some of the new technological features, as well as ask why and in what ways do these developments matter? Specific attention will be given to some of the problematic aspects of biometric surveillance and various ways artists are using new systems to produce meanings that challenge the dominant political discourse.
This course is meant for photography and visual arts students and those interested in the current technological developments in image-making, as well as their political, social and cultural implications.
Always verify the dates on the programme website.
Limited places still available, additional submission open until the group size reaches its limits.
This programme may require students to demonstrate proficiency in English.
The living costs include the total expenses per month, covering accommodation, public transportation, utilities (electricity, internet), books and groceries.
Studyportals Tip: Students can search online for independent or external scholarships that can help fund their studies. Check the scholarships to see whether you are eligible to apply. Many scholarships are either merit-based or needs-based.
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