Carlo Crivelli and his Contemporaries - An Alternative History of Italian Renaissance Painting

Overview

What you will study

Lauded by the artist Audrey Flack as a “Gothic, Baroque Super-Realist” in 1981, the Venetian painter Carlo Crivelli (c.1430-95) resists straightforward categorisation. His paintings merge traditional techniques such as the gold ground with witty effects of pictorial illusion, and as such possess both ‘medieval’ and ‘Renaissance’ characteristics. It therefore comes as little surprise that art historians since Vasari have neglected and misinterpreted his work. However, Crivelli is now witnessing a moment of recognition: a series of recent exhibitions and publications have shed new light on this most daring and technically skilled Venetian painter. This Carlo Crivelli and his Contemporaries - An Alternative History of Italian Renaissance Painting course offered by The Courtauld Institute of Art explores his work in relation to that of his contemporaries, including Mantegna and Cosimo Tura, and considers his innovative responses to the devotional needs of his patrons, who were largely Franciscan and Dominican friars.